
Public learning track
Microphones and Sound Capture Techniques
11th Grade · Arts · UK A-Level
9 lessons
Goal
Select and place appropriate microphone transducers and polar configurations for multi-track acoustic and electric studio tracking.
Featured Diagrams
Transducer Types: Dynamic, Condenser, and Ribbon Microphones
9 lessons
0 of 9 done
- 1Transducer Types: Dynamic, Condenser, and Ribbon MicrophonesUp nextStart
- 2Polar Patterns and the Proximity EffectPremiumNot started yet
- 3Interpreting Microphone Polar Pattern Diagrams and Off-Axis ColourationNot started yet
- 4Stereo Microphone Techniques: Spaced, Coincident, and Near-CoincidentNot started yet
- 5Capturing Vocals and Acoustic String InstrumentsNot started yet
- 6Multi-Microphone Drum Kit CaptureNot started yet
- 7Recording Electric Guitar, Bass, and Keyboard AmplifiersNot started yet
- 8Capturing Brass, Woodwind, and PercussionNot started yet
- 9Monitoring, Headphone Mixes, and Studio Acoustics ManagementNot started yet
Standards Covered
- MUSTECH-1.1General Certificate of Education Advanced Level (UK A-Level) · Music-technology · Year 13 (A2 Level) · Grade 11understand the principles of sound and audio technology and how they are used in creative and professional practice
- MUSTECH-1.3General Certificate of Education Advanced Level (UK A-Level) · Music-technology · Year 13 (A2 Level) · Grade 11develop recording skills to demonstrate an understanding of sound and its capture
- MUSTECH-2.2General Certificate of Education Advanced Level (UK A-Level) · Music-technology · Year 13 (A2 Level) · Grade 11principles of sound and audio technology
- MUSTECH-3.2General Certificate of Education Advanced Level (UK A-Level) · Music-technology · Year 13 (A2 Level) · Grade 11capture of sound
- MUSTECH-1.5General Certificate of Education Advanced Level (UK A-Level) · Music-technology · Year 13 (A2 Level) · Grade 11develop skills in critical and analytical listening to evaluate the use of sound and audio technology in students’ own and others’ work
- MUSTECH-1.2General Certificate of Education Advanced Level (UK A-Level) · Music-technology · Year 13 (A2 Level) · Grade 11understand a wide range of recording and production techniques and how they are used in practice for both corrective and creative purposes
- MUSTECH-2.1General Certificate of Education Advanced Level (UK A-Level) · Music-technology · Year 13 (A2 Level) · Grade 11recording and production techniques for both corrective and creative purposes
- MUSTECH-1.7General Certificate of Education Advanced Level (UK A-Level) · Music-technology · Year 13 (A2 Level) · Grade 11understand the interdependence of sound engineering knowledge, understanding and skills
- MUSTECH-1.13General Certificate of Education Advanced Level (UK A-Level) · Music-technology · Year 13 (A2 Level) · Grade 11develop the skills required to manage music technology projects from inception to completion, by evaluating and refining recordings and technology-based compositions over extended periods of time
Curriculum Framework
11th Grade · Arts · UK A-Level
1
9 lessons
Acoustics, Psychoacoustics, and Principles of Sound
Master the physics of sound propagation, harmonic structures, human auditory perception, and room acoustic treatment in recording environments.
2
9 lessons
Digital Audio Principles and Studio Hardware
Understand analogue-to-digital conversion, digital audio parameters, studio signal routing, cabling, and audio interface hardware.
3
9 lessons
Microphones and Sound Capture Techniques
Select and place appropriate microphone transducers and polar configurations for multi-track acoustic and electric studio tracking.
4
9 lessons
Audio Editing, Vocal Tuning, and Restoration
Execute corrective audio edits, pitch and timing correction, comping, and spectral restoration to professional standards.
5
9 lessons
Equalisation and Filtering
Utilise corrective and creative equalisation and filtering across tracks, buses, and mixes to shape frequency response and carve space.
6
9 lessons
Dynamic Range Processing
Control dynamic range, transient attack, sustained energy, and noise using compressors, limiters, expanders, and gates.
7
9 lessons
Time-Based, Modulation, and Spatial Effects
Design acoustic space, stereo depth, temporal echoes, and harmonic modulation using reverbs, delays, and modulation processors.
8
10 lessons
Synthesis, Sampling, and MIDI Sequencing
Build electronic sounds via subtractive, FM, and wavetable synthesis, manipulate multi-samples, and sequence expressive MIDI arrangements.
9
10 lessons
Mixing, Stereo Field, and Mastering
Balance multi-track projects into polished stereo mixes and master them to commercial streaming loudness standards.
10
10 lessons
History of Recording Technology and Production Analysis
Analyse the historical evolution of studio recording eras from 1950 to the present and critically appraise commercial productions.
11
8 lessons
Advanced Sound Design: Synthesis and Sampling Techniques
Design bespoke sounds, instruments, and textures using advanced synthesis architectures and sampling manipulation workflows.
12
7 lessons
DAW Editing, Audio Manipulation, and Automation
Execute precision corrective editing, pitch and timing alignment, spectral repair, and dynamic parameter automation within a digital audio workstation.
13
7 lessons
Stereo Imaging, Mix Bus Processing, and Mastering
Control stereo spatial placement, apply mix bus conditioning, and master audio tracks to commercial loudness, dynamic range, and technical specifications.