lesson

Updated 6 days ago
In a standard keyboard synthesizer, every wire is hidden and pre-soldered inside the chassis. But what happens when you sever those internal connections and decide every single wire routing yourself?
In the 1960s, pioneers Bob Moog and Don Buchla independently realized that electrical voltages could automate parameters like pitch, volume, and timbre in real time, giving birth to modular synthesis driven by control voltage (CV).
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To patch effectively, how do we distinguish between electricity that makes sound and electricity that shapes it?
The Three Signal Domains
In modular synthesis, all signals travel as electrical voltages through 3.5Β mm cables, strictly divided into three domains: Audio Signals, Control Voltages (CV), and Timing/Logic Signals.
Audio Signals are bipolar alternating currents operating within human hearing range (20Β Hzβ20Β kHz, typically Β±5V or 10Vp-pβ). Control Voltages are continuous DC or low-frequency signals shaping parameters (unipolar 0Β toΒ +8V/+10V or bipolar Β±5V), while Logic Signals provide discrete gate and trigger events.
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If pitch information travels as raw electricity, how does an oscillator know exactly which musical note to play?
Pitch Tracking: The 1V/Octave Standard
Pitch is governed by the 1 Volt per Octave (1V/Oct) standard, where each 1V increase doubles the oscillator's fundamental frequency (f).
Because musical pitch is logarithmic (f=f0ββ
2V), every semitone corresponds to exactly 121βVβ0.0833V added to the control input.
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