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How did classic 1980s synthesizers produce razor-sharp electric pianos, punchy basses, and shimmering brass using only pure, dull sine waves?
In 1967, composer John Chowning discovered that speeding up vibrato into the audio spectrum creates entirely new sonic overtones instead of pitch wobbles.
Audio-Rate Modulation
Frequency Modulation (FM) synthesis generates complex audio spectra by modulating the frequency of a carrier oscillator using another oscillator known as the modulator.
When modulation occurs at audio rates (fmโโฅ20ย Hz), our ears stop hearing pitch fluctuations and instead perceive a rich change in timbre (tone color).
๐Interactive diagram
What determines the exact frequencies of these new overtones? It all comes down to basic addition and subtraction.
Sidebands and the FM Formula
Audio-rate modulation generates sidebands, which are pairs of frequencies spaced symmetrically above and below the carrier frequency (fcโ).
Each sideband appears at intervals of the modulator frequency (fmโ), mathematically governed by fnโ=fcโยฑnโ
fmโ, where n is an integer (1,2,3,โฆ).
๐Interactive diagram
Why Sidebands Appear
The instantaneous voltage of an FM signal is defined by y(t)=Asin(2ฯfcโt+Isin(2ฯfmโt)), where I represents modulation depth.